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REMEMBERING MICHAEL ...... LIST OF #1 ARTICLES

For the last almost 10 months I have read so many fascinating articles regarding MJ.
I tried to keepsake as many as possible and unfortunately some I can’t find. Just wondered if anyone else has a favorite article to share?

ONE:
Published on Jewish Telegraph:
September 22, 2000 - In my second year as rabbi at Oxford, a chassidic couple came to stay with my family for the festival of Succot. Following dinner with several students, a young woman looked quizzically at the couple’s 10 children surrounding their mother. “Are all these yours?” she asked. The mother assured her yes, to which the student responded: “Don’t you think that that’s a bit much?” The mother’s eyes reddened, and she excused herself. I followed her into the kitchen and apologised for my students’ remarks. “That’s ok,” she said. “I get it all the time. But my Rebbe told me never to be embarrassed for having many children.”
I was reminded of this story last week when my family and I spent a week on Michael Jackson’s Neverland Ranch in California. I know that everyone hates a name-dropper, but bear with me just this once. For what I witnessed in those six days with Michael was an extraordinary human being, utterly misunderstood and misrepresented, with a limitless compassion for children.
The scene was simply astonishing. Neverland is Disneyland meets the San Diego Zoo, gates open wide to a steady stream of children. Some youngsters were fighting off cancer, others were bussed in from inner city schools to enjoy a day of rapture, and all were rendered speechless by the personal attention that Michael gives to each and every child.
One 10-year-old child, ashamed to take off his hat and reveal his chemo-ravaged bald head, finally removed the covering after Michael spent a day building up his confidence.
“Compassion” is a broad term that encompasses both sympathy and empathy. Of the two, empathy requires deeper involvement, for it entails actually feeling someone else’s pain. From the moment I met Michael in New York last year, I knew he had a greater capacity for empathy than almost any other person I had encountered. We spoke of deer hunting — a common sport in the United Kingdom. Michael’s eyes teared slightly and he probed me with his questioning gaze: “I don’t understand how someone could shoot something that helpless?” Later, he spoke of the many parents in our world who miss suppertime with their children. His voice cracked with emotion as I tried desperately to hide my guilty expression. When his young son Prince came into the room. Michael spoke to him as he would a young adult, answering Prince’s questions with great patience. Clearly the little boy with the golden hair was the unequalled delight of his father’s life. A lesson from Michael: We should all grow up on the outside, but for ever retain the child at our centre. As we grow older, the pain of the world around us forces us increasingly to close off our hearts. Were not Adam and Eve, the uncorrupted progenitors of the human race, depicted as children, naked and innocent, in the Garden of Eden? It is for this reason that when I am around Michael what I most feel is freedom, liberated of pretension and rigidity. I remember first experiencing this when Michael took us as his guests to see Toy Story 2 at a local cinema. At first, I was there for my children. But Michael was behind me laughing loudly at the screen, and slowly I let go. Within a few minutes, I too was laughing and enjoying the film. It then struck me that even as an adult I did not need to see people getting shot, dismembered limbs exploding in the air, or erotically naked bodies, in order to be entertained. As a writer on relationships, I am often asked by women, “What should I most look for in a spouse?” I tell them to watch his interaction with children. A man who loves a child’s innocence, is himself innocent. A man who loves a child’s playfulness is himself playful. And a man who has patience for children, is a patient man. There is a human quality more essential than food or water that we need to give to our children — dignity. It is an invisible gift more enigmatic than sustenance or tangible care. But I believe that God has given Michael a special pair of glasses. He sees the robes of dignity, and drapes our children’s shoulders in these royal garments of admiration and respect. As he said to me, “Every child should be treated like a movie star, getting lots of attention.” My eight-year-old daughter got lost in the halls of Neverland’s video room and started to cry, Michael ran over to her and said: “Oh, I know how you feel. I remember that happening to me when I was a little boy.” I contrasted this with what my natural response would have been — to dismiss her fear and encourage her to “toughen up”. I recall an old Jewish, mystical tradition that says that not all humans were expelled from the Garden of Eden, together with Adam and Eve. There are still some individuals who frolic in Paradise and beckon us all to re-enter. Could it be that Michael moonwalked back into Eden? Perhaps. This is certain. Because of Michael I have planted a few more flowers in the garden of my own heart. Watching him with his children has made me a better father, seeing him interact at his ranch with cancer patients has made me a more compassionate human being, and witnessing his humility has made me realise that if he can be approachable, then I have no excuse for aloofness. Some will criticise me for these words, as a defender of Michael’s eccentricity (even though my Oxford years taught me that all great geniuses are eccentric). But last week we celebrated Michael’s 42nd birthday with him at the ranch, and I asked myself, what do you give a man who has everything? The only thing I could come up with was to head out into the world and correct a grave injustice. It is high time someone spoke of the extraordinary works of kindness that are so central to Michael’s life.Michael deflects praise or compliments, almost telling you that in some way he feels unworthy of the praise. Perhaps the pain of mean spirited attacks has left its scars on him. Perhaps he is confused as to why some people presumed his guilt even though the cornerstone of our justice system is that all men are innocent until proven otherwise, and Michael has never even been charged with any wrongdoing. Or perhaps, it is just his natural discomfort at becoming the centre of attention, when he would much rather that we all gave every ounce of attention we can muster to the needy children who surround us.
Oh and another thing is this....
"I recall an old Jewish, mystical tradition that says that not all humans were expelled from the Garden of Eden, together with Adam and Eve. There are still some individuals who frolic in Paradise and beckon us all to re-enter. Could it be that Michael moonwalked back into Eden? Perhaps.
… we all around him have the desire to protect him because he doesn’t even put up a defense that bars him from being hurt."
Rabbi Shumley

Comments (186)

Hello ladies!
@WD, you're always welcome and the thanks go to you sweetie for starting this wonderful, awesome, inspiring thread! ((hugs)) you!

@Luv.....oh you're so welcome and it's so GOOD to "see" you here again. Thanks for posting the link, I always forget to do that. Smiling

@UB1 (swiped WD's shorter moniker Smiling ) I sooo loved that line too!

@Meg, you know listening to Madonna give this tribute is so much different than reading it and I've read it countless times and I prefer the reading although IMO, there couldn't have been anyone more fitting than M to deliver this and I tearfully applauded her!! And OMG, I get goosebumps imagining that "wink" and "smile". I probably would've wrecked the car. Smiling And I share the same parallels with Michael that Madonna does but I was surprised to know that she and I both lost our mothers when we were six. A little eerie....

@Any N, Welcome! And please DO join us. There's no need to ask, just jump right in and enjoy. More than delighted to have you aboard.

Love to all.

Unbreakable1, I am thoroughly enjoying your contributions on here. too. And everyone's. I am going to save this thread to Word, I think.

Madonna's speech isn't really an "article, " but she was sure remembering Michael so.... that's what this thread is about.

I remember that night wincing when she spokeher third from the bottom paragraph about abandonment. Wincing but thinking, "Well, thank God. Someone's got the nerve to say it!"

Then Madonna took heat for her speech - people asking why she spoke of herself during an MJ tribute speech. Because she could relate to him and some of their experiences were very similar.

<3
Meg

Venay, I also did a double-take when I read Spike's line:) Thank you for posting another beautiful article. I love the line: "He was not the kind of artist best read alone or viewed in silent reverence or while wearing your finest garment." Michael's music and art was communal and magnetic - you are literally pulled out of your seat by the passion.
IJustCan'tStop, Thanks for your article. I crack a smile when I visualize Michael and Madonna hanging out together watching a movie.

*SUCH* good stuff here! Best thread.Smiling

Madonna's Speech at the VMAs Last Summer

Michael Jackson. [Cheers] I have a little bit more to say than that. OK, here we go again. Michael Jackson was born in August 1958. So was I. Michael Jackson grew up in the suburbs of the Midwest. So did I. Michael Jackson had eight brothers and sisters. So do I. When Michael Jackson was six, he became a superstar, and was perhaps the world's most beloved child. When I was six, my mother died. I think he got the shorter end of the stick. I never had a mother, but he never had a childhood. And when you never get to have something, you become obsessed by it.

I spent my childhood searching for my mother figures. Sometimes I was successful, but how do you recreate your childhood when you are under the magnifying glass of the world?

There is no question that Michael Jackson is one of the greatest talents the world has ever known. That when he sang a song at the ripe old age of eight he could make you feel like an experienced adult was squeezing your heart with his words. That when he moved he had the elegance of Fred Astaire and packed the punch of Muhammad Ali. That his music had an extra layer of inexplicable magic that didn't just make you want to dance but actually made you believe you could fly, dare to dream, be anything that you wanted to be. Because that is what heroes do and Michael Jackson was a hero.

He performed in soccer stadiums around the world, and sold hundreds of millions of records and dined with prime ministers and presidents. Girls fell in love with him, boys fell in love with him, everyone wanted to dance like him. He seemed otherworldly — but he was a human being.

Like most performers he was shy and plagued with insecurities. I can't say we were great friends, but in 1991 I decided I wanted to try to get to know him better. I asked him out to dinner, I said "My treat, I'll drive — just you and me."

He agreed and showed up to my house without any bodyguards. We drove to the restaurant in my car. It was dark out, but he was still wearing sunglasses.

I said, "Michael, I feel like I'm talking to a limousine. Do you think you can take off your glasses so I can see your eyes?"

Then he tossed the glasses out the window, looked at me with a wink and a smile and said, "Can you see me now? Is that better?"

In that moment, I could see both his vulnerability and his charm. The rest of the dinner, I was hellbent on getting him to eat French fries, drink wine, have dessert and say bad words. Things he never seemed to allow himself to do. Later we went back to my house to watch a movie and sat on the couch like two kids, and somewhere in the middle of the movie, his hand snuck over and held mine.

It felt like he was looking for more of a friend than a romance, and I was happy to oblige. In that moment, he didn't feel like a superstar. He felt like a human being.

We went out a few more times together, and then for one reason or another we fell out of touch. Then the witch hunt began, and it seemed like one negative story after another was coming out about Michael. I felt his pain, I know what it's like to walk down the street and feel like the whole world is turned against you. I know what it's like to feel helpless and unable to defend yourself because the roar of the lynch mob is so loud you feel like your voice can never be heard.

But I had a childhood, and I was allowed to make mistakes and find my own way in the world without the glare of the spotlight.

When I first heard that Michael had died, I was in London, days away from the start of my tour. Michael was going to perform in the same venue as me a week later. All I could think about in this moment was, "I had abandoned him." That we had abandoned him. That we had allowed this magnificent creature who had once set the world on fire to somehow slip through the cracks. While he was trying to build a family and rebuild his career, we were all passing judgement. Most of us had turned our backs on him. In a desperate attempt to hold onto his memory, I went on the internet to watch old clips of him dancing and singing on TV and on stage and I thought, "my God, he was so unique, so original, so rare, and there will never be anyone like him again. He was a king."

But he was also a human being, and alas we are all human beings and sometimes we have to lose things before we can appreciate them. I want to end this on a positive note and say that my sons, age nine and four, are obsessed with Michael Jackson. There's a whole lot of crotch grabbing and moon walking going on in my house. And, it seems like a whole new generation of kids have discovered his genius and are bringing him to life again. I hope that wherever Michael is right now he is smiling about this.

Yes, Michael Jackson was a human being but he was a king. Long live the king.

Hellow .Smiling
It is possible to join you?
In advance I apologies for English...
I do not know English in perfection...

Venay, once again Thank you for sharing.

What's striking about this article is the reference to Haley's Comet and PT Barnum. Both of which MJ would be very pleased. As you know he love the art craft of PT Barnum. The reference to Haley's Comet is one which MJ stated how rare one get's to see Haley's Comet. It's not that the comet is different but that it is rare when one get to see it and people wait in great expectation to see the comet when it passes. MJ knew how important waiting is or in another term how important patience is..patience is a virture..MJ waited a lifetime to reap the benefits of his hard word....now for all of his hard work..his reward is great in Heaven...he did not seek the praise of man but of God.. ..

Thank you Venay

WenDee

or just

D

**DUP**

Oh Venay!

This is a WONDERFUL article!

Thank you so much for sharing! I pulled the link to the article & pasted it below.
...of course, I've saved it in the .pdf format to my computer! I had to have my personal copy! LOL Smiling !

http://www.flingtheging.com/Articles/michael-jackson.html

-R.I.P. Michael!
I'll LuvU4eva!

Hey my buddy D and to all dear inhabitants! I'm hoping this thread becomes a landmark, I so enjoy it. Thanks to each and every one of you. ((((hugs))))

Unbreakable1, thank you so much for sharing Spike's interview. I love the glimpses we are given of the private time they shared that allow us to appreciate Michael's uniqueness. And the last line has again taken my interest....albeit not for any deep meaning or insight but for pure hilarity...."Was he always your favorite Jackson? Oh yeah. But I wasn't a girl though." I love it.!

In browsing my stash, I came across one that I really liked. Not quite "the one" I was looking for (still searching), but it's a very good read. It's written by Paul Heno and is on the Fling the Ging site. Hope you enjoy. Love you all.

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I happened to be traveling in non-English speaking countries when the news of Michael Jackson’s death hit the communication grid. It struck me seeing the reaction of people abroad how rare were the gifts of Michael Jackson. I thought as well how easily he compares to the historical geniuses that we have been fortunate to view or read or hear in replay. It is unusual to be acknowledged as exceptional by your contemporaries, yet innately people around the globe saw Michael Jackson’s ability not as generational but as approximating the frequency of Haley’s Comet.

History tends to be kinder to the great than what they know in their era, if indeed they are recognized at all by those around them. The world knows much more of Shakespeare’s work than when he was writing the most beautiful verse in the most insightful plays ever penned. Mozart is performed more now than during his all too brief life. There is respect afforded DaVinci and Michelangelo and Goya that was denied when they walked, ate, slept and created.

It is not unreasonable to place the talent of Michael Jackson in the small roll of the best ever. There are many who would define art as something on a higher plane than popular music, who would keep painting, sculpture, literature, classical music and dance apart and disapprove of any comparison. It is also hard to imagine that critics would recognize any modern writer, composer or artist as being of the scale of Shakespeare, Cervantes, Dante, Mozart, Beethoven, Bach, Rembrandt, Van Gogh, Velazquez etc. To suggest that Michael Jackson, pop prodigy, would approach such height may seem heretical.

But Michael Jackson, in his craft, was as uniquely gifted as those masters whose names I listed. For him to be considered historically brilliant, he will have to stand the test of time. I suspect he will. As much as we can be moved by grand works of the past, I doubt that our race will change such that down the long road we won’t be affected by the sublimity of the world’s greatest ever entertainer. For clearly that’s what he was.

He achieved, during a life cut short, what all of those other artistic icons could not – worldwide recognition for his work. I heard someone on CNN say that one of Jackson’s inspirations was PT Barnum. Can there be any doubt that Michael Jackson was the greatest show on earth? Yes, his staggering productions were collaborative efforts but Mozart wouldn’t be as inspiring if you were reading his music instead of listening to it. Television, radio, video and CDs helped make Jackson a universal phenom, a person more prominent than Muhammad Ali, Michael Jordan and John Paul II. Nor was he famous just for being famous, the new by-product of more global media than there are good stories to tell.

Though the media spread the gospel of Michael Jackson, they didn’t create him. Those who can’t tell good wine from bad or Camembert from Kraft Thins didn’t need Michael Jackson pointed out to them. He was not an acquired taste or only for the discerning palate. Michael Jackson exploded at you in a way that was immediately obvious as special.

He was not the kind of artist best read alone or viewed in silent reverence or while wearing your finest garments. Michael Jackson danced over racial divides and economic chasms. You’d have to be a snob of the highest order to try to convince someone or yourself that his music, his presence, did not get into your bones and, at its best, sent shivers through your body. He brought his art to the masses in a way that was easy to appreciate and impossible to ignore

The worldwide outpouring of affection for Michael Jackson is genuine and worthy. Like most, including those who come not to praise but to bury, I didn’t know the man other than what I observed on stage and learned through the prism of ones who were close to him. Yet, I am confident he was as good a person as he was talented as an artist, if that matters. That didn’t make him perfect but who among us can make that claim?

I reject the argument that there were two Michael Jacksons as I would reject that same argument about any other person not clinically diagnosed as such. I believe that Michael Jackson contained qualities whose presence or absence goes a long way in defining who we are, empathy and humility. That’s not to say that people aren’t different away from prying eyes, most are. Few carry themselves the same way in public as they do in private. Most have a social face and a life reserved for them and those closest to them. But an image does not reveal who a person is in his guts. There are many rotten people who come across better than they are, but that doesn’t negate the fact they are fetid. Conversely, an empathetic and humble person is not less so because of his persona, be that soft or curmudgeonly. Nor does the commitment of errors diminish a person’s anima or suggest that he harbors the ubiquitous “dark side.”

If any of our lives were studied in full, it is likely that the constancy we like to claim, that we too often demand of others, would be found wanting. But a lack of constancy does not say who we have been over the long term. And people change, some for the better. It is possible to acquire understanding as we age and shed ourselves of prejudice, misconception and willful blindness. Like Ebenezer Scrooge, we may wake up one day and realize that our actions have been hurtful or self-centered. We may take that big step out of our own vast shadows and see the world through other eyes. And we may just remain the miserable, ignorant, selfish pricks that we’ve always been.

I am convinced that Michael Jackson was empathetic and humble though the world threw itself at his nimble feet and monitored his every move. There is no relevance in debating good Michael and bad Michael. Whatever he was, he was all of it. The Czech poet Rilke said, “Be careful when you cast out your demons lest your angels take flights as well.” We should be thankful that he was Michael Jackson, a dancing, singing and entertaining virtuoso and that our brief strut on this mortal coil coincided with his.

In the future, if such a thing were possible. when Michael Jackson is admired for his art, when the inevitable glory seekers, money hounds and insiders finish breaking faith, when the commotion is long forgotten as with the impetuous Mozart, the lover of male youth, DaVinci and the alleged misogynist Picasso, indeed for many of the past’s most talented and perspired artists, for like them it is his art that will endure not the distraction, when people talk about him in a tone reserved for the truly eminent, many of us would like to be among those fans yet to be and say, “I was there when he performed at the ….. For perform he did and surely we will not see his like in our time.

UB1, you were able to attend MJ 50th B-Day celebration, how cool is that! To enjoy the music of They Don't Care About Us, WOW, I really, really like this song, the beat move my hips and the words touch my soul, just love it, thanks for sharing!

D

WenDee, I love the name! Eye-wink (if I were only 30yrs younger & going into the music biz, I'd use it & give you cred!) I know what you mean about They Don't Care.. I love this song's anger & both videos are absolutely Incredible & oh-so powerful. Speaking of Spike...I went to his Michael's birthday celebration last August & there was so much L-O-V-E, singing and dancing that day.

(reply was posted 2x in error)

Unbreabable you out did yourself on this article...another Spike Lee Joint..I feel HIGH (so to speak) when Spike is in the mist..They Dont Care About US has a special meaning to me...because of all the songs played after MJ death...AEG aired this song to show how well MJ was doing in the rehearals..was it a Omen, I dont know..now knowing parts of how he was left to die..give we cause to wonder...I know the song was not talking about his death..but for me it's symbolic...this is another
song where MJ express the injustices in our society..his message has never changed, I'm glad I lived to witness this part of history..thank you again UB1..hope you dont mind the shorten name, I kinda like it..hehe

I love Spike Lee's memories of growing up with Jackson 5 music and the 60's style and how "I'll Be There" came out at the time he was just getting interested in girls. How many of us who are around Michael's age remember slow dancing to "I'll Be There" and singing/acting-out "The Love You Save." -- And, I love how he received a phone call from Michael, "I want to come to your house."

June 29, 2009 Time Magazine:

Spike Lee Remembers Michael Jackson

In 1996, Spike Lee — director of films from Do the Right Thing to Malcolm X to the recent documentary Kobe Doin' Work — traveled to Brazil with Michael Jackson to produce the music video for his controversial song "They Don't Care About Us." He talked to TIME about his experiences, Michael Jackson's legacy and having the Gloved One as a houseguest.

What's your favorite Michael Jackson song?
I was born in 1957; he was born in 1958. And so I grew up, literally, with Michael Jackson. We both reached adolescence at the same time. And I had a big Afro like he did, and I hoped that the girls would like me the way they liked Michael — but that wasn't happening. And you know, I loved him as a solo artist, but I have a special place in my heart for the stuff he did with the Jackson 5: "I'll Be There."

Do you remember the first time you heard it?
No. My memory's shot. I'm in Cannes, France, for a conference; I left dinner last night, got home, I turned on CNN and there it was — him being rushed to the hospital. I didn't go to bed the whole night. I just kept watching CNN. So it's a big, big, big, big loss for the world. And I'd like to make this comment: I've seen too many people talking about Michael like they knew exactly what he did. Let's celebrate his genius, his musicality, his gift, his talent, and leave the other stuff at least till he gets buried. Let's celebrate his life now. That's the way I feel.

I can hear Michael Jackson in the background right now.
Yeah, my friend is driving me to Monaco for dinner, and I went out to this store and bought Michael Jackson's greatest hits. So, as we got in the car I said, "This is our driving music!" Going from Cannes to Monaco, listening to the greatest hits of Michael.

What was he like when you worked with him on the video for "They Don't Care About Us?"
Michael was great. He had a sense of humor. He worked hard. People talk about how hard Kobe Bryant works; he didn't work harder than Michael Jackson. This is what I've come to learn. You know, I did a documentary on Kobe, I know him; Michael Jordan, I worked with him a little; Michael Jackson — when you love what you do that much, it's not work. So you can go longer and harder and faster and quicker because it's not a burden. You love what you're doing.

And did you talk to him on the set? Was he accessible?
Oh yeah! Michael was a citizen of the world. I said, "Mike, let's go to Brazil to do this." And he said, "Let's go, Spike!" And it's great when you work with people who say stuff like that — it's not a matter of budget. He wanted to do it? We were going!

Had you met him previous to that?
Yeah, I met him at dinners and stuff like that, but that was the most intimate time I had been with him. Can I tell you a quick story? Michael Jackson called me up and said, "Spike, I want meet you, I'm coming to New York." I said, "Well where you want to meet?" He says, "I want to come to your house." I live in Brooklyn! He wants to come to my house! So, Michael Jackson came to my house in Brooklyn, New York — this was when I was living in Fort Greene. And he said, I want you to direct a video for me. My new album's coming out, pick a song. So we listened to all the songs and I picked "Stranger in Moscow." And he said, I don't want you to do that one. And I said, "Michael, just tell me which one you want me to do! Why ask me to pick one?" And he laughed and he said he wanted me to do "They Don't Care About Us." That's how it happened.

How did he like Brooklyn?
Well, I dunno if he'd ever been there before. We spent like two or three hours just talking. I mean, we're the same age. I'm less than a year older than him. To be honest, I dominated the conversation, because I was trying to really tell him how much impact he had on my life. And I could just not believe that Michael Jackson was sitting in my living room in Brooklyn, New York. It was amazing.

I just want to get back quickly to "I'll Be There." What sort of associations did you have with that song? What did it mean to you?
I just remember being young, loving that song, starting to get interested in girls; it was just that period of time. And here's the thing that I remember: growing up, as far as girls, everybody didn't like Michael. They liked Tito, they liked Jackie, they liked Jermaine — it was like the Beatles, the girls had their favorites. It was not always Michael, Michael, Michael.

Was he always your favorite Jackson?
Oh yeah. But I wasn't a girl though.

Ahhh Meg....thank you for this article and the link! Something very close to my own heart. I too am a "self taught" artist and am in awe of Leon's abilities as I know the toil involved in capturing the myriad details comprising a perception, especially on a huge scale such as a mural. Totally awesome and I deeply appreciate how he acknowledges where his gift comes from. God. So like Michael.

Have I mentioned how much I LOVE this thread? ((hugs)) to my D again for starting it. And to everyone else for the your wondrous contribution(s). Love you all.

Meg thank you so much....I just love those whoe were touched by MJ life in a personal way..what I like about this article..."we're only here for a little while"..had people only realized..it may be your last time..not only for MJ but for us all...MJ said in the song JAM..."we must live each day like it's the last"
thank you Meg for taking the time to find such a timeless piece

Click below to see this extraordinary artist's talented work. What a classy guy who refused to bad mouth Michael. And imagine MJ applauding you for your work? WOW Smiling

http://www.ocregister.com/entertainment/jones-93587-jackson-michael.html

O.C. artist recalls meeting Michael Jackson at Neverland

He met Michael Jackson face to face, and painted the King of Pop at his Neverland Ranch.

Leon Jones of Buena Park paints celebrities and has painted for Michael Jackson.

Leon Jones, a self-taught artist from Buena Park, has fond memories of Jackson. The pop singer died June 25 at age 50, and his memorial service this week was watched on TV by 31 million people in the U.S. alone.

"Michael was just great," said Jones, 52. "He was just like a little kid. He was a down-to-earth person."

During the summer of 2003, Jones painted two murals and a go-cart for Jackson's sprawling Santa Barbara County residence. He spent several months painting at the ramblin' ranch.

It all began like this: In 2003, Jones was doing portraits outside Caf� Tu Tu Tango at Universal City Walk. He specializes in celebrities - Dr. Dre, Tupac Shakur, Ice Cube, Jennifer Love Hewitt, Aubrey Hepburn, Lucille Ball.

One day, a gentleman in his 30s representing Jackson asked if Jones could do some work for "his boss." The stranger left him with $500 cash to do the commission.

Jones was skeptical. But a couple of days later, the artist and his nephew met the gentleman at a gas station in Santa Barbara. They followed the man up through Los Olivos, and finally to the fantastical, secluded Neverland Ranch.

"It was unreal, like you were on a different planet," Jones said. "Neverland is designed to make you feel like you don't have any responsibilities."

Jones observed that Neverland was equipped with rides, a functional train, a large movie theater and a tree house.

"He goes up in this tree and writes poetry," Jones recalled. "In the day, he'd be sitting over in the tree, and he'd be just Michael."

Jones painted two, 15-feet-high murals to decorate Jackson's train depot. He did a portrait of Jackson in knight's armor donning angel wings, as well as a large mural of Jackson pointing toward the heavens, surrounded by winged children.

"When they saw them, Michael and three or four kids, and his kids, they all started applauding me," Jones said. "Later on, one of the children said, 'That's what Michael did when he felt like you had done a great job.' I've never experienced something like that."

Jones also said that upon seeing his work, the King of Pop grabbed his hand and skipped a block's length with him.

"It was like we were little kids," he explained. "It was just fantastic. When we were there, they treated us like kings and queens."

Jones declined to comment on whether he saw anything strange or unusual take place at Neverland Ranch.

"I'm not going to go into that. It would be wrong of me to even make a comment like that, to bad-mouth Michael Jackson."

He did note the absence of parents, even with lots of kids around.

The father of five says he grew up listening to Jackson's music, all the way back to the Jackson 5 days.

"Back in school, we wanted to be like the Jackson 5. We wanted to be like Michael."

Thus, he was devastated when he heard the news late last month that Jackson died at his home from a sudden cardiac arrest. Authorities are still investigating whether other factors were involved.

"I felt so bad," Jones said. "It was like a piece that was taken out of me. Here's a person that I grew up idolizing all the time. He was a part of me, a part of something inside of me. Michael was my brother."

Nowadays, Jones works from home and is represented by seven galleries. He also sells his work at the Orange County Marketplace on weekends. He has his own Web site, theartman.com, where he also sells and displays work, and continues to do celebrity portraits.

"I don't know anybody on the planet who has the talent that I have," he said. "It comes from God. I have a billion dollars in talent. I'm rich already."

On Tuesday, Jones watched the memorial service for Jackson on television, but had to turn the set off at certain, emotionally charged moments.

"It hurts. It hurts bad. He has touched me. He was the best in the world, and he had to leave.

"I told my son, 'That's why I have to cherish every moment with you.' We're only here for a little while."

WenDee, Thanks so much for creating your beautiful thread! I was so overcome reading all the articles together here. Thank you to everyone who has posted. A lovely, moving tribute. Let's keep this on top of the forum.

Thank you iheartmj for sharing ..I cant get enough!!

A SHORT STORY ABOUT MJ..ONE THAT I WANTED TO SHARE..

Michael arrived in a banger of a car, with his three children. There was no big entourage, just one security man and an au-pair. They spent over two hours with us, enjoying a show we put on for them and then sitting around having tea and scones. When we discovered it was Michael’s birthday, Judge sang him the happy birthday song and Michael happily sang along. It was a great day, a lovely memory.

. . .

We have a small sweet shop in the theatre, and as we were about to start a show for Michael and his children, one of the kids asked if they could have sweets. I told the lad to help himself, and the next thing Michael was in the shop filling his pockets. He was quite literally the child let loose in the sweet shop, and he loved it.

. . .

He clearly loved his children, and they equally loved him. They had a lovely, normal relationship. He struck me as a very kind, gentle person. The children were perfectly behaved, they had impeccable manners and they wouldn’t touch anything without permission.

It was very much a normal family scene, and I really couldn’t relate the person I met to the man portrayed in the media. To me, he was an ordinary, lovely man, and we got on really well together. I was quite fond of him.

-Eugene Lambert, Lambert Puppet Theatre

Unbreakable, I love this article ..I always enjoy hearing personal accounts of those who worked with MJ. It's a inside look at the man everybody wanted to know. Thank you for sharing.

As a former ballet dancer myself, I loved the September 2009 article from Dance Magazine featuring interviews with choreographers and dancers who were inspired by Michael.

Remembering Michael Jackson

Interviews By Kina Poon

Wade Robson, choreographer:
Michael’s movement was this amazing amalgamation of all his influences, filtered through this beast of a dancer. His lines were so dynamic. He understood the strength of simple movement delivered with incredible precision and energy. An invert of the legs and an extension of the arm were so much more powerful than 15 pirouettes. His energy shot up from the earth. God danced through him.

I remember the first time he taught me the moonwalk at the dance studio at Neverland. I was 7, I think. I remember standing at the ballet barre and him teaching me to push back one foot at a time, teaching me the weight distribution on the balls of the feet. “Now just go, push off, and fly!” he said. That night I couldn’t sleep. I had to get up every 15 minutes and do it again.

I learned altruism from him. In the entertainment industry, it’s easy to get jaded. Despite all of the madness he went through, he had such an innocence. He trusted people, and in his heart, believed in them.

Brian Friedman, choreographer:
Even in his most subtle moves, he forced you to watch him. No one hit as hard as he did. He’s one of the only people who could stand still for 30 seconds, a minute, and not let you look away.

Thriller, Smooth Criminal, Ghost, and Captain EO molded me as a creator. Without projects like these, I would be afraid to take the risks I do. If Michael had just described the plot of Thriller, who would’ve ever believed him? But he made it anyway and it is the most iconic video ever.

He was the first person to have technical dancers from contemporary and ballet backgrounds dancing with Pop N’ Taco. It was incredible to see him bringing the worlds together. He gave every audience member something to connect with.

At 14, I booked a job with him. At the end of the live show, I happened to be standing next to him. He put his head close to mine, pointed to the signs in the audience, and said, “I don’t understand why all these people love me.” Especially to a kid, it was so honest. He was saying “I’m normal.” It put me in a position to always stay grounded.

Brian Thomas, teacher/choreographer:
The first day of rehearsals for Michael’s 30th- anniversary celebration everyone was terrified. When he came in to watch the choreography I had made for him, I said, “OK, you can sit over here.” I looked over, and my son had put some candy and a picture he drew of Michael on his chair. I apologized, “My son must have done that.” Michael fell on the floor laughing—he was literally rolling. He said, “Show me some dance moves” to my son. It broke the ice, so the dancers weren’t so afraid. He could’ve been a diva but he was nice to everyone. That’s what I remember most—his childlike spirit.

Buddha Stretch, teacher/Remember the Time music video choreographer:
Michael’s a combination of so many different styles and influences. I think his biggest influence was James Brown, with some Bob Fosse, some Fred Astaire, some Don Campbell and the Lockers, some Nicholas brothers, and later on, some hip hop. We were working on the video for “Remember the Time,” and Michael wanted to learn everything that we did—any little movement, even if we were just playing around. He was so interested in what made us dancers, what made us do hip hop. He wanted to experience going to a club and dancing in a circle. We were going to dress him up in a hoodie, hat, jeans, and sneakers, but the last day, his security and his management talked him out of it.

Randy Allaire, co-founder of the Edge Performing Arts Center/MJ backup dancer
for eight years:
How many stars can brand a step like he did? He affected generations of dancers. He pulled guys into the studio and made it OK for us to move. A lot of Michael’s movement was dance, but he always tried to go for the pedestrian feel. As dancers, we were very careful to not look like dancers. We had to be more accessible.

Michael was very generous, a very good soul. There were definitely the two sides: the ultimate showman and the regular guy—however regular you could be as a superstar. But he controlled it all. He collaborated with many choreographers, but it was always MJ’s vision and direction.

Chloe Arnold, tap dancer/teacher:
He was 100 percent unique and heartfelt. To take our art seriously and realize how many people we can affect—that’s something we can take from him. There are so few artists genuinely creating their style. With Michael, you could see a silhouette and immediately know it was him.

Jared Grimes, tap dancer:
Michael Jackson was a human phenomenon. To me, he is up there with the seven wonders of the world—a god of dance. I remember when he popped out of the floor and stood still for five minutes at the Bucharest concert—I had never seen an aura that strong before.

Akram Khan, choreographer:
When Michael Jackson came along with Thriller, my world changed. I thought, There’s hope. He’s closer to my color. I was in love with the fact that he had the power to draw people in, not only white people but people in general.

Jorma Elo, resident choreographer, Boston Ballet:
Growing up, MJ inspired me to learn to dance and how to put together a great show. I remember getting together with friends before going to a party one Saturday night in the early ’80s. Somebody had a VHS tape of him doing Billie Jean at the gala show where he first did the moonwalk. All the girls wanted to see it over and over again—it kept looping for hours. We never got to go out. MJ kind of destroyed that evening by being too good and magical.

Thank you everyone for these articles! I will go home today and paste them on my favorites Laughing out loud

AWESOME..I stand in AWE..beautiful

@re-unica, you're so welcome and love you too!

And I'm hoping to keep this thread in motion as much as possible because there's so much good stuff here. Nothing to offer tonight, but I'm still on the "hunt" through my fav's for more.

D, thanks again for starting this wonderful thread. (hugs) to all my family here.

Venay, thank you so much! I`m so grateful!
Love you!

LOL @ Meg....swallowed a few myself! Smiling Awww, you're welcome D! I'm so glad you enjoyed it. I too, love Aberjhani's perceptions. Laughing out loud

Oh Gosh, oh My..Venay..where can I put my feeling for this article...I dont know if I should cry or YELL to top of my lungs or sit here in AWE of the beauty, the thought or the kindred spirit of this article.
I love it...I love this...this is much more this is PERFECT!
thank you..thank you..love you more/D

Yes, V - that morph. It was something we'd never seen before and so amazing. I watched it with mouth open, probably caught a few flies.

More awesome articles here, I see. Best thread.

<3
Meg

@re-unica, so many "treasures" to save here, I agree! And Solonoy, Barbara Kaufman's articles are always at the top of my list. Her descriptive talents are enviable and her name guarantees righteous reading! @ ihe♥rtMJ, the "seven" website is also a favorite site of mine and Meg, I DO remember the first time seeing "Black or White" and the room full of "oooohhhs and ahhhhs" and "how in the heck did they do that"'s at the morph at the end. I'll never forget it. Never.

Have another article to share. It's from the "Red Room, Where The Writers Are" website and is written by Aberjhani whose "earthy" expressions and insights I really enjoyed. I hope you do too. (Hugs)

To Walk a Lifetime in Michael Jackson's Moccasins

You probably can't read the words in the note next to the accompanying photo of Michael Jackson, but they were handwritten by the singer himself during the mid 1990s when he was constantly on tour and just as constantly a subject of much public ridicule and condemnation. This note was composed on hotel stationery and, complete with original spellings, grammar, and format, reads as follows:

"like the old Indian proverb says do not judge a man until you've walked 2 moons in his moccasins.

Most people don't know me, that is why they write such things in which most is not true

I cry very very often because it hurts and I worry about the children all my children all over the world, I live for them.

If a man could say nothing against a character but what he can prove, history could not be written.

Animals strike, not from malice, but because they want to live, it is the same with those who criticize, they desire our blood, not our pain. But still I must achieve I must seek truth in all things. I must endure for the power I was sent forth, for the world for the children.

But have mercy, for I've been bleeding a long time now."

M.J. (circa 1995)

It's hard to think of Michael Joseph Jackson as having been a baby boomer because nothing defined him quite so much as his music, and his music possesses the eternal quality of genius that makes all superior art timeless, ageless, and endlessly compelling. But a baby boomer he was, born August 29, 1958, and now gone so soon to his rest June 25, 2009.

Reporting on Jackson's death just hours after it was confirmed, NBC News anchorman Lester Holt noted, "We were the same age. I remember being a ten-year-old watching this ten-year-old kid on television." A familiar feeling. I arrived on the planet one year before either of them but like Holt I also watched the young Michael Jackson on stage on television. My attention was fully captured with no desire to be released because there he was: a cultural mirror image of myself who was not the watermelon-eyed "Buckwheat" (all due respect to the actor who played that role) or a stereotypical barefoot "pickaninny" movie extra in some Gone With the Wind spin-off, but a little black boy musical genius so charged with the lightning of his talent and confidence that he could take the lead singer position with his four brothers behind him and an audience of thousands in front of him--and perform with all the grace, skill, and maturity of someone three times his age. How did that kid do that? Living as I did in a southern region where black skin and a male anatomy often reduced one's life expectancy by decades, the answer of how that kid did what he did was important to this future author.

Years later I considered the greater scope of what he had achieved. While the vast majority of those in our peer group at age eleven or twelve were at home evenings studying for a quiz in school the next day or building up nerve to steal a first kiss, Michael Jackson was working--working in clubs, working in theaters, working on television, working in concert halls, working working working his ass off. On how many continents, and in how many countries, was that child a stranger in a strange land? Yet one who repeatedly channeled gifts of song and dance and love to bring respites of celebrated joy to the lives of others? His labors as a child played no small role in laying a foundation of lasting wealth for what has been called America's "preeminent family of pop music." Later on, those labors would pull a lagging recording industry out of its deathbed slump, and jump-start a new industry art form known as video while trashing racial barriers on TV and radio in the process. Did that make him a saint? No. Does it make his memory one worthy of respect? Most definitely.

Not all "child prodigies" who exhibit the level of talent that Jackson did as a child tend to fulfill the promise of those gifts in their adulthood. He was one of those who did. Once his ambition led him to pursue and establish with phenomenal results a solo career, each year thereafter when birthdays came around (his in August, mine in July) I started studying what he had accomplished to date and would challenge myself to do better in my own career. That's not to say I ever did, or even that I thought I could or should match him; only that his accomplishments motivated me to reach for some of my own.

The judgments of different critics aside, he outdid himself repeatedly: with the flawless album Off the Wall in 1979; the all-time bestselling Thriller in 1982; Bad in 1987; and Dangerous in 1991. By the time Jackson's HIStory-Past, Present and Future, Book I was released in 1995, I was managing a multi-media book, video, software and music store, which allowed me to indulge the pleasure of dancing along to the album's combination of anthology and new music while shelving and selling books. True, I was dancing to his life's soundtrack rather than my own and another three years would pass before my first book would get published. But: I celebrated this last album (not the last of his career) in particular because it was the first one released after the singer had descended into the tar-thick shadow-side of celebrity-hood: constant hounding by the paparazzi, reportedly "bizarre" behavior bordering on insanity, and allegations of pedophilia. The fact that his fame had become his cross made me less envious that he had achieved it so early.

Yet in the album HIStory, the purity of the music declared that whatever might or might not be the truth behind the scandalous headlines, all had somehow remained well with his soul. Whereas madness attempted to take over his life--and for a time possibly did--he fought and won his battle to turn it into superlative art. The new songs on HIStory presented his defense of himself even while going beyond that to champion the environment and level substantial social criticism of his own. It was around the time of HIStory's release that he wrote the above note and the photo that accompanies it was taken (my apologies for failing to track down the exact date or the photographer's name). When I saw them published in People Magazine, I cut the page out and placed it in a photo album, then said a prayer for this man whose voice had helped awaken my voice.

We human beings tend to demand that our heroes fulfill many fantasies, but one fantasy no hero can fulfill is perfection while in this world. They can make the effort to give as much of themselves to the global community as they can, and then beg forgiveness when the gifting isn't enough and the less appealing aromas of their humanity dim the air with the funky truth of their flesh and blood limitations. It was good that "the King of Pop" had been tested and learned something about his limitations in one major battle because he would need whatever strength he gained from it for other confrontations down the road. In the end, it was strength he was reaching for once again to begin his journey anew and do the one thing he did better than anybody else.

A lot of tabloids, magazines, websites, radio stations, entertainment personalities, and retail chains made tons of good hard cash peddling before the world what they presented as Michael Jackson's eccentricities and possible moral failings. Perhaps now that he has left the stage for the last time, they can pay a bit of that forward by leaning in the opposite direction and honoring the brilliance of his dynamic artistry, the beauty of his dazzling creative passion, and the simple sincerity--however wounded it may have been--of his love for his fellow human beings.